Boudoir and the Ramones

“The Ramones are special. Not only is there no middle ground when it comes to the Ramones, there can be no middle ground on that band. You’re supposed to either love them or hate their guts, but merely liking the Ramones or saying “well, they’re sort of OK” just doesn’t seem like a possible perspective. At their best, the Ramones were so extreme, uncompromised, and fervently dedicated to pushing music to its absolute “limits of existence”, that calling them mediocre or passable seems like an insult. They’re either great, or they suck donkey’s balls: each of these perspectives has a right to exist, and music fans all around the world are divided in two approximatel equal halves based on this criterion.”

I had a conversation with a photographer friend the other day about repetition in photography and how sometimes I feel like I’m cheating when I do things over and over the same way. I wasn’t interested in shooting different families on the same white background nor was I interested in shooting boudoir for clients in front of the same window and on the same couch…over and over and over again.

Enter the Ramones.

I don’t pretend to know a whole lot about music and chords but I’m pretty sure the Ramones played the same three chords on every song and they just changed the lyrics. I can’t begin to tell you how much I love the Ramones and I’m just one of about, oh many millions who love them. They did what they wanted. They did it their way and they did it over and over again. Repetition.

Now when we go into a Family Fiction session we setup the same lights every time and go through the same process. The results are always different…but the same.

For a recent boudoir session with Amy, we shot things we’d never done before and we tried really hard to come up with some ideas we had never tried before. We shot in the streets, we shot in a bus stop, we shot with candles and windows and elaborate light setups. In the end, my favourite shot was this one. The easiest one. The one with a lighting setup we had done a million times before. Huh.

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A Photography Workshop. A Free One.

We’re doing a workshop. It doesn’t have a catchy name and it isn’t sponsored. It’s three days long and we’re going to talk about anything and everything we can cram in over 3 days. Everything from first contact with a potential client to finished product delivery to the client. It’s limited to 10 people and it takes place from February 17-19, 2012 at Applehead Studio in Halifax. There’s no hype and there’s no fancy website where you can sign up. You will be put on the spot to shoot or edit or talk openly about your photography business. It’s a workshop for photographers who want to get better at what they do. It’s a workshop for photographers who have their own vision but just don’t have the tools to make that vision a reality. It’s not a workshop where you stand around and watch me shoot. It’s about you.

This workshop is free. Completely free. There is a $500 registration fee but we’ll give it back to you at the end of the workshop. Why? Because everyone will say yes to free…the $500 will ensure you really mean it.

I get asked all the time if we do workshops so lets see how this goes. If you’re interested, email me.

Friday 7pm 10pm
Saturday 10am – 6pm
Sunday 10am – 6pm

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Five, Four, Three, Two, One. KISS.

Brad and Mike had a job to do at Sarah + Tyler’s wedding on New Year’s Eve at Pier 21. At midnight, their job was to fire off the confetti guns.

Now confetti guns alone are normally enough to get me excited at a wedding reception. Steph and I talked about ‘the shot’ all night long and as the countdown crept from 10 down to 1 we each positioned ourselves in a spot where we hoped we would get a good shot of some New Years kissing. At the top of our list was, of course, Tyler and Sarah.

Steph nailed the shot. The confetti gods smiled upon her and fell in all the right places.

What never occurred to us was that while Brad and Mike set off guns, this left two gold covered bridesmaids without anyone to kiss. Alana and Kristie, not letting that bother them, took a second to wish each other Happy New Year and Steph grabbed that shot too! I hear it’s totally normal for Kristie to kiss pretty much everyone on the lips. She’s from Newfoundland and they can pretty much do whatever they.

So for the first blog post of 2012 we thought a little New Year’s kissing might be suitable.

Of course, when your teenage kids are hitting the town on New Year’s Eve and you’re on pickup duty sometimes communication trumps kiss.

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Lucky shot.

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Have Fun Most of the Time.

On November 26, 2009 I opened my brand new little black sketch book and started a business plan. I wanted to stab myself in the head with the pen before I even started because I had just left the pharmaceutical industry where everything was planning and spreadsheets and forecasting and I wanted to be done with that.

The first page lists the objectives of Applehead Studio and the first three things I wrote are this:

1. Have Fun Most of the Time.
2. Spend Time with Family
3. Be Creative

Ironically enough those are the three things I struggle with every day. I’m learning to put the iPhone down when the girls are around and be present with them. I think it was Dane Sanders who said, “There is no such thing as a work/life balance. All you can do is commit 100% to whichever one you’re in at the time”.

My plan then, and now, was to shoot however the hell I wanted and hope there would be a tiny market that would identify with it…whatever it was. My position that “I don’t shoot families” flew out the window when we came up with the Table Sessions and more recently the Family fiction Series for one reason. It was fun. A lot of fun. There are no rules and every shoot begins with a conversation. No longer are we shooting and proofing 200 lifestyle type photos of families. The goal is to create that one signature image that says something about the family. Sometimes thats burying a body and other times it’s the general chaos of children at the breakfast table.

The response to this stuff has been incredible and while we expected to shoot 2 or 3 over the winter it’s quickly turned into 1 or 2 sessions a week. I love that there are families out there as twisted and real as we are. I love that you’re excited about being different and getting all dressed up and into ‘character’. Don’t get me wrong, as a Dad and husband I realize the importance of ‘the typical family portrait’ with everyone looking at the camera as the sun sets slowly over the ocean or grassy field. As a little added safety net, with all of our Family Fiction shoots we set aside 10 minutes to do the ‘group’ shot and include it with every shoot. It’s simple and easy to setup and it keeps the grandparents happy.

How do you know if you’re the right kind of family for a Family Fiction Series kind of shoot? There are a few requirements that will ensure we’re the right fit for you:

1. You have outdated food in some sort of container in your fridge.
2. You’ve sent your kids to school or daycare with socks that don’t match but you don’t really care.
3. You make 2 different kinds of dinner because your kids don’t eat vegetables or meats and cheese whiz just fills em up so they don’t wake up early and hungry.
4. As a family, you’ve never worn jeans and white shirts at the same time.
5. You sleep very little and/or fall asleep before Wheel of Fortune is over.
6. Your car doubles as a dried fruit and cracker storage container and smells like sour milk.
7. Your laundry doesn’t ever stop. Ever.
8. Your dog, once your best friend, gets out much less than they used to.
9. Your dog gets tortured by your children.
10 and last but not least, as a family, you try to have fun most of the time.

These guys are one of my favourite families of all time and for the entire shoot, the girls wanted to listen to the Foo Fighters and kept screaming, “throw me around, throw me around”.

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“I have an idea. We’re gonna need some garbage bags and leather gloves.”

Paul’s Dad had grown a goatee a little while ago and the idea was born. Roger looked like a mob boss and that was it. Paul, his brother Rob and his Dad were going to do a Family Fiction session where they were the mob disposing of a body. Seriously? It doesn’t get any better than this for me until Paul told me were were going to head out to Mickey MacDonald’s place to use a few of his cars and shoot on his property.

I put in an order to B&H and picked up all the gear I had on my wish list for a long time, we filled the truck, enlisted the help of Tyler Rogers to shoot some behind the scenes video and met everyone on Friday afternoon for the shoot. We had a shot list and a few ideas, garbage bags, shovels, leather jackets and three guys straight outta the Sopranos. In my head it was going to be a long shoot, 5-6 hours to get the few key shots we needed but in the end we pulled out of there after just two hours…and I even had to work without Steph for most of the day because she spent the afternoon duct taped in garbage bags as ‘the body’.

This is Applehead Studio’s version of Family Photography.

The funny thing about this shot above is that it was just a test shot. The boys were just standing there in place while we set some lights.

This is my favourite shot of the day and the one we wanted to nail. Happy Birthday Roger!

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The Creative Genius. Ole!

I don’t read many self help books and I’ve never seen ‘The Secret’. I don’t sit at home in the office and hope or wish or pray that good things will come my way. I don’t preach or try to convert anyone into any of the crazy things I believe in but this, this 18 minute Ted talk from Elizabeth Gilbert, changed the way I think and work the very first time I watched it. I could recite it word for word and it was always one of those things I kept to myself. I never linked it on Facebook or twitter, not because I didn’t want to share or have anyone else see it, it was just one of those things…I don’t know, I don’t really have an answer.

Like my marriage to my wife and the birth of my children, this is just one of the eye opening things that helps change the direction of my life for the better.

Enjoy.

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Till Death Do Us Part. A Fearless Bridal Session

It’s funny for me to watch Applehead Studio evolve and take it’s own shape based simple on the best way to have fun while we work. While I used to go out and shoot like a madman, proof 100 or so images and sell a big collection of 75+ images, now when we do these creative shoots we’re trying to create anywhere from 1 to 10 shots. That’s it. Our last few table sessions resulted in 1 to 2 final shots on canvas. I look at it this way, if it isn’t a wedding and you’re looking for photos of a family or couple you’ve got a few options. You can sit in front of a backdrop and give your photographer total control over your family photography or you can completely throw yourself into the project and make it about you. Either way you’re probably only going to hang a few images (most likely 1) and when it’s done right, all you need is one cool Facebook photo to impress your friends.

Katie + John wanted to do a Fearless Bridal shoot in the woods. They live outside of Halifax and spend a lot of time outside. Katie is the cutest thing you’ll ever meet. All smiles and giggles. John is ready and willing to do absolutely anything for some good photography. So we wanted to do something completely out of character for them. Something dark with less smiles and giggles (on camera at least). They brought their A game. They brought red paint and they brought the bows and arrows. They made this shoot easy.

I wanted to stick with the ‘woman as the leader of the family’ approach with this shoot again and since I’ve always loved the ‘Til Death Do Us Part’ direction of the wedding vows…this is what we came up with.

I’d be remiss if I didn’t take the time to tell you how incredible my assistant is. It’s early November, 6pm and Steph (and John) slips into chest high water to grab a few shots. She’s 5 foot nothing and a hundred and nothing pounds yet she hauls lights, tripods and bags upon bags of gear 5km into the woods and never complains. She works long hours with me every time we do something for free for someone and never looks to be paid. Marse and I are very lucky to have Steph work with us and the girls love playing with her too. She is messy as hell, her desktop is cluttered and she drinks copious amount of pop and leaves empty cans on the desk…but we get over it. She’s worth it.

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The Family Fiction Series.

I’ve been holding my tongue for long enough. I’m one very, very small cog in an ever growing machine of photographers around the world. That machine is so big people debate the definition of what a ‘professional photographer’ really is. Does a professional photographer shoot sharp, crisp images in exchange for money? Do they have part time jobs? Are you a professional photographer if you charge too little for your services? I’ll admit to getting caught up in the conversations and ultimately wasting time that could well have been spent doing something constructive like, oh say, honing my skills. The truth of the matter is I hate everything I shoot and nothing is ever good enough. I spend countless hours wondering, hoping, worrying that clients like what we produce for them. I spend countless more comparing my work to that of other photographers, wondering if I’ll ever be ‘that good’.

It’s no secret I’ve always tried to be a crow left of the murder when it comes to wedding and portrait photography. Studio shooting is just not for me. It’s not where my mind wanders when I think about shooting for clients. The machine produces hundreds of thousands, if not millions of images every single day that fall into some category that’s already been carved out. We all shoot with the same cool new gear and light modifiers. We craft our blogs in the same format…intro, images, Like buttons and wonderful comments. ‘Beiber photography’ is what I like to call it. It’s as popular as hell and the entire world loves it. But it’s not for absolutely everyone. I’m not a Beiber fan but that doesn’t mean I think people that do like are idiots. It’s a big world and it takes all kinds. Instead, I’m drawn to musicians that often have something to say, musicians who do whatever the hell they want as long as they’re staying true to what they believe in. Neil Young’s Keep on Rockin in the Free World, Tom Petty’s Last DJ and Pearl Jam’s Animal don’t leave you wondering where these guys stand on certain issues. I like that. I respect that. I want to learn to be able to reflect that in my photography. Not necessarily grand statements on the state of the economy or the music industry but just different ways of looking at the family unit as an example. Different ways of looking at how wives and moms play a role in a family and in a relationship.

I’m surrounded by women. My wife, my daughters, my mom, my mother in law and my assistant are six women I interact with on a daily basis. They’re the glue that keeps me together in all aspects of my life and I have no problem admitting that. If it wasn’t for them I’d probably still be living in an old grocery store on Wellington St, eating one meal a day and sucking from a bong. They inspire me. My female photographer friends are the only ones who ever really tell me the honest truth about my work and they’ve verbally bitch slapped me once or twice to ‘get back to doing what you do best’. They inspire me.

It’s probably no surprise that I’m a huge Helmut Newton and Quentin Tarantino fan. Outrageous, morally questionable, gratuitous and completely over the top. Kill Bill, Inglorious Basterds, Jackie Brown, Death Proof and True Romance. This is where I draw my inspiration. Not from some other photographers blog. As much as I love ‘love’ and the union of two souls and being a wedding photographer…I also like to take a step back and have some fun and create images of people and families that are fun, sometimes morally questionable, gratuitous and completely over the top. There’s enough Bieber photography out there already without me adding to it. I’m not even that good at it.

Enter our newest endeavour, The Family Fiction Series. A celebration of families and the women who run them. Inspired by everything from Pulp Fiction to Pearl Jam.

One day a few months back, Marcia came home and I was sitting on the couch watching Sportcentre, Lola was hanging upside down in the chair, watching the iPad and chewing gum and Ruby was standing at the coffee table eating dill pickle crispers that had fallen on the floor. Probably not my finest hour as a Dad and Marcia struck down upon us with great vengeance and furious anger. And so it was born. the Family Fiction Series. I have no idea where this will lead. We have a few ideas and a few sessions with some incredible clients. We’ll probably never make the cover of Popular Photography or the Style Me Pretty Blog but this is how I make a living and I could not be happier.

The Family Fiction Series is a complete collaborative effort. You can’t just show up and sit in front of our lights and backdrops. We need you. We want to know about you and all the over the top moments that happen in your family when no one is looking. If you’d like to be a part of this project send us your story by email.

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You had 2 hours, now you’ve got 20 minutes. Go. Halifax Wedding Photographer

“Where are we going for photos?” Its a question I get on almost every wedding day and one I almost always answer with, “I don’t know, where would you like to go?”

While almost every wedding blog will be filled with wonderful comments about how lovely the wedding day was and how nice it was to be a part of the day (I do it too)…I have to be honest and tell you I haven’t shot a wedding for a couple that wasn’t awesome. Its the greatest day of your life, you look incredible and you’ve got all your best friends around to celebrate…how could it not be anything but excellent? I promise you, the first time I get shitty clients who are no fun, I’ll blog about it.

Here’s the thing about planning your wedding…as a couple you decide on every single little detail from the font on your invitations to the dress colours and the ‘do not play list’ for your DJ. You chose the food, you chose the guests, you bring tear sheets to your hairdresser and you even decide who sits with who during dinner. All of this planning pays off in the end and you end up with a perfect day and the proof is on every wedding blog in the city.

So here is my question…why let your photographer decide where to take you for photos? (this is where I get all Ann Landers on you…)

There are a few things to consider and I’m going to be very honest with you about this because, well, I have opinions and this is how I make my living. First, there is good light and there is not so good light. I’m sure the haters will say, “I can shoot in any light and it doesn’t matter”. Thats true. Most of us can shoot in any light but the plain and simple fact is that 2pm in July on a hot, sunny day is probably not the best time for photos if you have an option to shoot later in the day as the sun is setting. I know you know what I’m talking about. If you’ve been in a wedding and stood squinting in the noon day sun, sweat dripping down your back you know exactly what I mean.

But its really more about time than it is location. A good photographer can give you great photos in any location but sometimes, most times, a weddings run a little behind. Hair and makeup goes a little longer than planned, everyone gets ready a little slower than planned, flowers show up late or a dress zipper breaks…it happens. Its been my experience that whatever runs late, that time comes off of the photographers shooting time with the couple. I’ve seen 2 hours for photos quickly shrink to 30 minutes with the wedding party, family and bride and groom before you all have to sprint back to the reception. If you’ve already done an engagement shoot with your photographer you know that a shoot with just the two of you can be an hour, sometimes two, sometime four hours. You also know that the first few minutes of the shoot are, well, like a warmup. I tell all my clients that its a lot like going to the gym. You don’t go in there and start wailing on your pecks…you ease into it. You stretch, you warm up and then you settle in and start given er.

I hope this doesn’t sound like complaining. Its not. Its a simple fact based on my experience shooting weddings and if photos are important to you there are ways to ensure you get that time you need with your photographer so here goes:

Make the decisions. That’s all there is to it. You’re probably paying a lot for your wedding photography and in 10 years you’re not going to flip through your chicken dinner reflecting on the events of the day. The photos are all you’ve got. Don’t let your photographer take you to the Public Gardens if you’re not that fluffy bunnies and rainbows kind of couple. Decide in advance if you want lots of photos of the entire wedding party or just the two of you. Consider the logistics of getting a wedding party of 8 around the city of Halifax on a Saturday in July. Do you want to all stand in a row in front of a wall or do you want to hit a bar and sing karaoke? You get to decide. Don’t let your photographer hang you from the top of a coal train if one of your best men is terrified of heights (true story…my bad).

Let your family know when you’re going to take family photos and where they should meet you. A missing grandma can set you back 20 minutes. Its not uncommon to be standing outside a church and 15 people are asking ‘where are we going for pictures’ meanwhile important uncle Zeke, in from Ohio, is already back at the Prince George for a nap. If your photographer is rounding up family and telling everyone where to go…they’re not taking photos…which is exactly what you’re paying them thousands of dollars to do.

If you have control over the timeline, keep in mind that sunset and the hour before and after is always the best time to shoot. Try and steal away for half an hour if you can…just the two of you and your photographer. Same goes for night photography if thats what you want. Slip away at 10pm for half an hour and hits the streets.

Decisions don’t have to be specific but give your photographer a jumping off point for locations. ‘We like the south end of Halifax’ or ‘We like those big sky photos’ or ‘We want to get nuts on the downtown streets’. If you have a location in mind don’t hold back. I love it when clients say, “Hey we have access to Baton Rouge so lets start there”.

I know a photographer who only shoots their clients during the golden hour. Its just how they do it and its planned into the day because photos are important. Shit happens though and a lot of couples now opt to shoot photos prior to the ceremony in the mid afternoon hot sun…this brings into play a whole new level of things to consider. Is it hot out? Is your makeup going to hold? Is it windy? Will your hair look ok after an hour outside? Do you want to get the bottom of your dress a little dirty before you walk down the aisle? Some people don’t care and some people do…but you get to decide that because its your day.

Don’t even talk to me about rain. Its rained so much here this year that Steph and I are actually working on a new invention that we firmly believe will take off…but thats another story. What is your plan B for rain…and don’t say the Keith’s Brewery or you’ll be standing in line. Decide if you want to shoot outside with umbrellas or consider your venue and what it has to offer for photo locations.

Lastly, consider this…if a hair and makeup artist needs an hour to do what they do and suddenly they only get 15 minutes… your expectations have to change. If a 3 course meal takes 2 hours and suddenly the kitchen staff has to do it all in an hour…your expectations have to change. The same can be said for wedding photography. If photos of the two of you in various locations are important to you then plan it into your day and don’t compromise.

There is good news if you run short on photo time. The flip side is that even if you run out of time for those ‘epic’ photos, a good photographer will still give you a collection that accurately reflect the story of the day. You don’t always need to stand on the end of a cliff in a perfectly lit scene with big fluffy clouds to have great wedding photography. Grandpa taking a dive on the dance floor will always trump ‘go stand over there and kiss’.

Sometimes you just get lucky and walk right into a sunset.

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How to prepare for a wedding.

Amanda + Tony got married at the Inverary Inn in Baddeck over the weekend and the forecast said hot and sunny. Amanda told me they were going for an 8.30am run and Tony was teeing off at 9am so Steph and I jumped at the chance to get outside and do some early morning shooting.

We stayed until the sun went down and the lights went out.

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Meaghan + Justin

I shot a destination wedding last year where, at the end of the night when the dj stopped playing and everyone else was in bed, the wedding party headed down to the beach, got naked and posed for a very different wedding party kind of photo.

Meaghan + Justin and their wedding party were that kind of crazy, minus the nudity. It was a huge group of friends and family completely overflowing with happiness and it was just awesome to be a part of it.

I was headed for a My Morning Jacket tune for this slideshow. Something I’m pretty sure I had used before but the time and tone just seemed to fit. Then Meaghan reminded me of her first dance song and that fit pretty well too and had a bit more sentimental value. In the back of my mind I thought, “wouldnt it be funny to use that song by those guys that Meaghan + Justin played over and over at the reception and everyone went nuts.” I had never heard this kind of anthem before which shows both my age and out of touchedness but it was an earworm and I knew for sure Steph would know what the song was. she found it and I watched it on youtube, I played for Lola. It was in heavy rotation for a few days. I just wasn’t sure how it would go as a slideshow tune.

So I made two. The one above for everyone and this one for Justin.

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The Oceanstone Woodpile and a Break in the Rain

Sometimes the rain lets up for a few minutes at just the right time and after you’ve shot a couple levitating in a city park, kissing under an umbrella just won’t do.

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Bridesmaids. Coming Soon.

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Boudoir in the new studio

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Emily + Chris. The Last Look of Disappointment.

This is an image I will never forget. Shooting this image was a rush for me because I was shooting in a place and time that I felt that I shouldn’t be shooting in. Emily wanted to get married outside and there was no other option for her. The rain started and it didn’t stop. It got heavier and came down sideways. This happened as Emily was getting her makeup on and her cell phone rang. A final decision needed to be made and it was this moment that became the turning point for the day. I’m sitting on a ledge at Emily’s feet directly in front of her feeling like I should get out of there and leave her alone but I’m so glad I didnt because this was when it all changed. This was the last time Emily let the rain affect her day. This was her the last look of disappointment.

Chris + Emily, thanks for standing in the pouring rain with us and having some fun. We had a blast!

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Amanda + Kelly

I cannot wait to shoot this wedding on Saturday. When I met with Amanda + Kelly last year and they told me the location of the wedding I said yes immediately. Steph and I are being picked up by a little boat in Chester on Saturday morning and we’re headed over the Tancook Island for the wedding. Amanda + Kelly put a lot of work into the details of the day and we’re looking forward to seeing it all take shape. There was also mention of an open bar, some rowdy friends and girls with mohawks?

I’m in.

Read the whole blog post here

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Meaghan + Justin. 30 seconds at Pier 21.

Meaghan + Justin and one of those “what can we do in 30 seconds or less” kind of shots just before the reception started.

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Carolyn + Kevin

wedding photography

“Lemme do just one more shot.”

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Megan + Ryan. An Engagement Session

We met Megan + Ryan at the studio last night and we knew one thing for sure, Ryan was doing this for Megan. He wasn’t too keen on having his photo taken. Well, I was excited to shoot so we did what we could to soften him up and help him relax. We bought him muffins and juice and i think that was the turning point because as we walked across a parking lot Ryan spotted a chair on wheels and said, “I want to rip down the street on that.” I beg your pardon? This was the guy who wanted nothing to do with this and would have been happy to cancel the session altogether. Who am I to tell a client No.
Read the whole blog post here

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